LITERARNA MODERNA- SVETOVA Essays - Free Essays, Term Papers

LITERARNA MODERNA- SVETOVA Essays - Free Essays, Term Papers LITERARNA MODERNA- SVETOVA SPOLOCENSKA SITUACIA- obdobie rozvoja modernej technickej spolocnosti - objavy - hrozba 1.sv.vojny akapitalisticka spolocnos silnie -spolocnos sa orientuje na moc abohatstvo FILOZOFIAfilozoficke smery: - Shoppenhauer- pesimizmus avoluntarizmus - Nietzsche- individualizmus a nihilizmus LITERATURA - snaha ospajanie viacerych druhov umenia -,umenie pre umenie" = PARNASIZMUS - dba ocistotu formy - prevlada forma basne nad jej obsahom - HVIEZDOSLAV -prevlada poezia nad prozou - prestava sa pisa spolocenska lyrika, zacina sa pisa lyrika osobna - prinasa cloveka samotara - basnici nezobrazuju svet, ktory vidia, ale, ktory citia - najdolezitejsim nastrojom lyriky sa stava slovo -umelecke smery : symbolizmus, impresionizmus, dekadencia SYMBOLIZMUS - vznik v19. stor. vo Francuzsku - reakcia na naturalizmus aparnasizmus - vnima svet zmyslovo avyuziva symboly - nadrauje ducha nad hmotu, unika zo spolocnosti, vychodisko hada mimo reality/v snoch, vpodvedomi/ - vplyva na hudba = verse su spevne, chceli vyjadri hudbu pomocou slov, pismen afarieb - ulohou symbolizmu bolo pomiesa zmysly - zacali pisa neviazanym versom - vyuzivaju senzualizmus- basne vyjadrovane lyricky cez atmosferu krajiny - symbolisti zili neviazanym sposobom zivota: PREKLATI BASNICI- Boudelaire, Rimbaud, Verlaine - ovplyvneni tiez dekadenciou, naturalizmom -zobrazuju skaredos azlo tohto sveta - protestuju proti pokrytectvu apretvarku - hadaju krasu vskaredych veciach - zili bohemskym zivotom - citlive, burlive, zlozite osobnosti - citili sa osamoteni, vycleneni zo spolocnosti, prekliati/znaky roman. hrdinu/ CH.BAUDELAIRE Tvorba: zbierka basni Kvety zla, Male basne vproze, vyber zjeho tvorby bas. zbierky Trosky, Clovek amore /reflexivna lyrika/- impresionizmus - odsudili ho za nemravneho , skazeneho basnika pre pisanie erotickej poezie - vea mystiky a nabozenstva Base vproze - kratky rytmizovany zaner vneviazanej reci - vyuziva tropy, figury, paralelizmus - graficky azvukovo pripomina prozu J.A. RIMBAUD Tvorba: Pobyt vpekle, base Relikviar, Iluminacie, Zora -base vproze -obohatil tvorbu ohlboku emocionalnos - vzah sPaulom Verlainom IMPRESIONIZMUS - vznikol v19. stor. vo Francuzsku - manifest impresionizmu = obraz od Claudia Monta Dojem, vychod slnka - zakladom impresionizmu je zachytavanie prchavych zmyslovych dojmov avnemov -najma vlyrike - vumeni - pointilizmus - bodkovacia technika - snazi sa okomplexne zobrazenie dojmu= synestezia - spaja vnemy rozneho zmysloveho povodu - hudobnos versa PAUL VERLAINE Tvorba: Saturnske basne / melodicke basne/, zivotopisne dielo Moje vazenia, esej Preklati basnici, Moja nemocnica, Vyznanie, Jesenna base - pomenovanie ,preklati basnici" DEKADENCIA - vznik 19. stor. vo Francuzsku - zaklad pre vznik symbolizmu aimpresionizmu - vtvorbe sa prejavila fantazia, naladovos, uzkos, depresia, pocity beznadeje - necenili si lasku azivot - na piedestal postavili zlo askaredos - temy smrti, noci, samoty, rozkladu - CH. BOUDELAIRE - Mrcina LITERARNA MODERNA- SLOVENSKA SPOLOCENSKA SITUACIA -SK ako sucas Uhorska, sl. narod neuznavany ako narod, ani jazyk, narod nie je jednotny- pokracuje narodnostny utlak - obdobie hosp. problemov - vypuknutie 1.sv vojny LITERATURA -paralelne tvoria prislusnici viacerych lit. smerov : autori 1. a2. vlne realizmu , nova generacia- slovenska literarna moderna - autori boli ovplyvneni romantizmom/ osamelos, vyjadrenie vl. pocitu, prirodna symbolika/, symbolizmom / vyuzivanie symbolov na vyjadrenie abstraktneho, hudobnos versa/, impresionizmus /doraz na atmosferu basne, nalady, dojem zo sveta, ale aj HVIEZDOSLAVOM AVAJANSKYM - riesili narodne aspolocenske konflikty, zarove vsak presadzovali pravo na vlastny pocit vbasni, na zachytavanie intimnych zachvevov duse avyjadrenie osobneho pocitu zo skutocnosti -na rozdiel od sv. moderny, ktora je skor subjektivnejsia ariesi prevazne osobne problemy ZNAKY - 1. lyricky hrdina= sam autor, osamely clovek, ktoreho zivot obera oiluzie, vyjadruje svoj smutok, sklamanie, citove sklamanie / Krasko/, intelektualna kriza / Jesensky/, rozbor medzi tuzbou autora askutocnosou/ vplyv romantizmu/ - 2. zanre= prevlada poezia nad prozou, kratsie basnicky, piese, sonet -3. vyuzivanie symbolov, basnickej skratky, naznaku, - 4. vers= sylabotonicky, modernejsi jazyk, prirodzeny slovosled, rytmicky usporiadany arymovany ivony vers - 5. = hudobnos versa : opakovanie hlasok vyvolavajucich zvukove dojmy Predstavitelia: Ivan Krasko, Janko Jesensky, Ivan Gall, Vladimir Roy, Frantisek Votruba IVAN KRASKO Tvorba: cyklus 9 basni Listok, zbierka Nox et solitudo = Uz je pozde, Plachy akord, Vesper dominicae (Nedeny vecer), Topole, Zmraka sa, Jehovah, Prsi- prsi, Quia pulvis sum (Pretoze som prach) zbierka Verse- basne zamerane viac spolocensky, obsahuje sonety - najznamejsie basne: Noc, Ja = basne vproze, Otrok = lyricky subjekt sa stylizuje do postavy otroka, vyzva do boja, Otcova roa= base je vycitkami svedomia autora, ktory opustil rodinu ivlas, je tu motiv vecera aprvky tajomnosti, Banici= ma burcujuci charakter, vyjadruje nadej, ze raz pride era slobody - vlastnym menom Jan Botto - spolok Detvan, chemicky inzinier vCechach - vea pseudonym - jeho tvorba je lyrickou spoveou, zhrnul ju do 2 zbierok - poezia vemi osobna, krehka, uprimna -zakladny zivotny pocit je smutok, nostalgia bezmocnos, beznadej, pesimizmus a pochybnos -autor ma pocit, ze nieco zameskal - tento pocit vyplyva z: 1. zo smutku za domovom, matkou, SK, 2. zosamelosti- uzavrety, tajnostkarsky clovek, pochyboval osebe, viere, laske 3. znenaplnenej lasky: pochyboval olaske, trpel na chorobu puc, lasku zobrazuje

Reginald Fessenden and the First Radio Broadcast

Reginald Fessenden and the First Radio Broadcast Reginald Fessenden was an electrician, chemist, and employee of Thomas Edison who is responsible for transmitting the first voice message over radio in 1900 and the first radio broadcast in 1906. Early Life and Work With Edison Fessenden was born October 6, 1866, in what is now Quebec, Canada. After he accepted a position serving as principal of a school in Bermuda, Fessenden developed an interest in science. He soon left teaching to pursue a science career in New York City, seeking employment with Thomas Edison. Fessenden initially had trouble attaining employment with Edison. In his first letter seeking employment, he admitted that he [Did] not know anything about electricity, but can learn pretty quick, leading Edison to initially reject him though he would eventually get hired as a tester for Edison Machine Works in 1886, and for Edison Laboratory in New Jersey in 1887 (the successor to Edisons famous Menlo Park lab). His work led him to encounter inventor Thomas Edison face to face. Although Fessenden had been trained as an electrician, Edison wanted to make him a chemist. Fessenden protested the suggestion to which Edison replied, I have had a lot of chemists . . . but none of them can get results. Fessenden turned out to be an excellent chemist, working with insulation for electrical wires. Fessenden was laid off from Edison Laboratory three years after he began working there,  after which he worked for Westinghouse Electric Company In Newark, N.J., and the Stanley Company in Massachusetts. Inventions and Radio Transmission Before he left Edison, though, Fessenden managed to patent several inventions of his own, including patents for telephony and telegraphy. Specifically, according to the National Capitol Commission of Canada, â€Å"he invented the modulation of radio waves, the ‘heterodyne principle,’ which allowed the reception and transmission on the same aerial without interference.â€Å" In the late 1800s, people communicated by radio through Morse code, with radio operators decoding the communication form into messages. Fessenden put an end to this laborious manner of radio communication in 1900, when he transmitted the first voice message in history. Six years afterward, Fessenden improved his technique when on Christmas Eve 1906, ships off the Atlantic coast used his equipment to broadcast the first trans-Atlantic voice and music transmission. By the 1920s, ships of all kinds relied upon Fessendens depth sounding technology.   Fessenden held more than 500 patents and won Scientific Americans Gold Medal in 1929 for the fathometer, an instrument that could measure the depth of water beneath a ships keel. And while Thomas Edison is known for inventing the first commercial light bulb, Fessenden improved upon that creation, asserts the National Capitol Commission of Canada.   He moved with his wife back to her native Bermuda after leaving the radio business due to differences with partners and lengthy lawsuits over his inventions. Fessenden died in Hamilton, Bermuda, in 1932.